2020 NPAPW

[Maria Isabel Gandia <>]

Hi all,

Happy New Year!!

I just came back from my holidays today. I agree to include the virtual conservatoire suggestion.

Best regards,

-- Maria Isabel

---

From: <> on behalf of John Kieser <>
Sent: 07 January 2020 15:54
To: Ann Doyle <>; Domenico Vicinanza <>; <>; Tom Gorman <>
Cc: <>
Subject: Re: Late submission

 

I agree with everyone that we need to include. 

On 1/7/20, 9:49 AM, " on behalf of Ann Doyle" < on behalf of > wrote:

    Yes; Happy 2020 to all!    I also agree to including in the Theatre panel.    I am sending all of the acceptances today and tomorrow, then we can post the program online and start a big marketing/outreach push!     -Ann
   
    On 1/7/20, 5:31 AM, " on behalf of Domenico Vicinanza" < on behalf of > wrote:
   
        Good morning and happy new year to all!!
       
        I agree with Claudio and like very much the idea of including it in the theatre panel.
        Looking forward to the next meeting and to seeing you all soon.
       
        Kindest regards,
        Domenicow``eeeeea`ea
       
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        On 07/01/2020, 08:28, " on behalf of Claudio Allocchio" < on behalf of > wrote:
       
           
            On Tue, 7 Jan 2020, Tom Gorman wrote:
           
            > Hi all (and happy new year),
           
            same to all!!
           
            >
            > I've received a late submission from the 'Virtual Conservatoire' based between Bristol Old Vic Theatre School (BOVTS), Central School of Ballet, London Academy of Music and Dramatic Art (LAMDA), Royal Academy of Dramatic Art (RADA), Royal Academy of Music (RAM) and Royal College of Music (RCM). They attended the Copenhagen NPAPW but didn't think they'd get the funding for 2020 but they have. I think it would make a good fit for the theatre panel and I'm unsure if Diana from Romania will be able to attend in person (she's still seeking funding). Here's the submission below:
            >
            > ‘The Virtual Conservatoire’ is a four-year collaboration between Bristol Old Vic Theatre School (BOVTS), Central School of Ballet, London Academy of Music and Dramatic Art (LAMDA), Royal Academy of Dramatic Art (RADA), Royal Academy of Music (RAM) and Royal College of Music (RCM) and backed by HEFCE / Office for Students Catalyst Fund.
            >
            > Together, the six Conservatoires are transforming their facilities into state-of- the-art digital spaces that enable creative collaboration between the consortium’s students and partners across multiple locations, in real time. The result is a new template for conservatoire training, which pioneers digitally enabled pedagogy and practice, and the scope to transform live performance art into a multi-location experience.
            >
            > To test the technology, students from across the conservatoires hosted a series of ‘scratch nights’ that culminated in a formal production created with immersive theatre makers, Raucous. The performance of ‘Otis and Eunice’ saw two interconnected shows played out simultaneously to two audiences, in two venues from two different cities, creating a dual perspective on the tale of Orpheus and Eurydice.
            >
            > This presentation will explore challenges of the creative process from inception to first night, investigating how LOLA and other technologies stimulated a multi-institution, multi-site exchange to deliver two interlocking and interdependent live performances for two audiences in two cities.
            >
            > https://www.rcm.ac.uk/oe/
            > [https://www.rcm.ac.uk/media/Virtual%20Conservatoire%20artwork%20960x640.jpg]<https://www.rcm.ac.uk/oe/>
            > Otis & Eunice | Royal College of Music<https://www.rcm.ac.uk/oe/>
            > We hope you enjoyed Otis and Eunice, a modern retelling of the Greek mythological love story Orpheus and Eurydice written by Sharon Clark.. This production is the culmination of a four-year Virtual Conservatoire project involving musicians, actors, dancers and a creative team from six UK conservatoires.
            > www.rcm.ac.uk
           
            I think Tom's idea to fit into the theater panel is a good one and we
            should try to make this happen...
           
            BTW, time to really start promotion!!
           
            >
            > All the best
            >
            > Tom
            >
            > Dr. Tom Gorman BA(Hons), M(Phil), D(Phil), PGCE
            > Senior Lecturer In Theatre
            > School of Media and Performing Arts
            > Faculty of Arts and Humanities
            > Ellen Terry Building
            > Coventry University
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            > Coventry
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            >
            > http://telepresenceintheatre.coventry.domains/
            >
            >
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