2020 NPAPW

[Renate Kreil <>]

Dear All, 

I think it is a great opportunity to hear more about the experiences which were made by the team realizing this project.

Very positive, that the entire team is immediately listed below at the website, to make transparent, what is necessary to realize such a production. I expect important input for all of us, to hear more about it. If there is a video/record of the production itself, please let me know. I couldn't find one. 

I hope everybody entered joyfully 2020 and let´s make it an inspiring one. 

See you soon, renate

Am 07.01.2020 11:31, schrieb Domenico Vicinanza:

Good morning and happy new year to all!!

I agree with Claudio and like very much the idea of including it in the theatre panel.
Looking forward to the next meeting and to seeing you all soon.

Kindest regards,
Domenicow``eeeeea`ea

-- 
Domenico Vicinanza, PhD MIEEE FHEA
Senior Research Engagement Officer
 
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On 07/01/2020, 08:28, " on behalf of Claudio Allocchio" < on behalf of > wrote:

    
    On Tue, 7 Jan 2020, Tom Gorman wrote:
    
    > Hi all (and happy new year),
    
    same to all!!
    
    >
    > I've received a late submission from the 'Virtual Conservatoire' based between Bristol Old Vic Theatre School (BOVTS), Central School of Ballet, London Academy of Music and Dramatic Art (LAMDA), Royal Academy of Dramatic Art (RADA), Royal Academy of Music (RAM) and Royal College of Music (RCM). They attended the Copenhagen NPAPW but didn't think they'd get the funding for 2020 but they have. I think it would make a good fit for the theatre panel and I'm unsure if Diana from Romania will be able to attend in person (she's still seeking funding). Here's the submission below:
    >
    > ‘The Virtual Conservatoire’ is a four-year collaboration between Bristol Old Vic Theatre School (BOVTS), Central School of Ballet, London Academy of Music and Dramatic Art (LAMDA), Royal Academy of Dramatic Art (RADA), Royal Academy of Music (RAM) and Royal College of Music (RCM) and backed by HEFCE / Office for Students Catalyst Fund.
    >
    > Together, the six Conservatoires are transforming their facilities into state-of- the-art digital spaces that enable creative collaboration between the consortium’s students and partners across multiple locations, in real time. The result is a new template for conservatoire training, which pioneers digitally enabled pedagogy and practice, and the scope to transform live performance art into a multi-location experience.
    >
    > To test the technology, students from across the conservatoires hosted a series of ‘scratch nights’ that culminated in a formal production created with immersive theatre makers, Raucous. The performance of ‘Otis and Eunice’ saw two interconnected shows played out simultaneously to two audiences, in two venues from two different cities, creating a dual perspective on the tale of Orpheus and Eurydice.
    >
    > This presentation will explore challenges of the creative process from inception to first night, investigating how LOLA and other technologies stimulated a multi-institution, multi-site exchange to deliver two interlocking and interdependent live performances for two audiences in two cities.
    >
    > https://www.rcm.ac.uk/oe/
    > [https://www.rcm.ac.uk/media/Virtual%20Conservatoire%20artwork%20960x640.jpg]<https://www.rcm.ac.uk/oe/>
    > Otis & Eunice | Royal College of Music<https://www.rcm.ac.uk/oe/>
    > We hope you enjoyed Otis and Eunice, a modern retelling of the Greek mythological love story Orpheus and Eurydice written by Sharon Clark.. This production is the culmination of a four-year Virtual Conservatoire project involving musicians, actors, dancers and a creative team from six UK conservatoires.
    > www.rcm.ac.uk
    
    I think Tom's idea to fit into the theater panel is a good one and we
    should try to make this happen...
    
    BTW, time to really start promotion!!
    
    >
    > All the best
    >
    > Tom
    >
    > Dr. Tom Gorman BA(Hons), M(Phil), D(Phil), PGCE
    > Senior Lecturer In Theatre
    > School of Media and Performing Arts
    > Faculty of Arts and Humanities
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    > Coventry University
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    >
    > http://telepresenceintheatre.coventry.domains/
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    >
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    Claudio Allocchio             G   A   R   R          
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